Scene 2 - morning scene (waking up) - Kay Mun (red) - Ellyn (yellow) - Xin Qi (blue) Items: - sleeping bag - food - tooth brush Scene 3 - Chia Ying & Hun (mom & dad) gave warning to Kaymun Scene 4 - Kaymun upset Scene 5 - night scene where Kaymun noticed a parcel in her room - Kay Mun - Ellyn - Xin Qi
Scene 6 - walk towards the parcel and trying to figure out what is it Items: - box - letter Scene 7 - opens parcel - saw a time machine Items: - clock (Xin Qi)
Scene 8 - Kay Mun clicked the button - travel in time to a black world
Scene 9 - Kay Mun met Ellyn & Xin Qi Scene 10 - looking at their gloves realizing they are from different family colours
Scene 11 - agree to paint the world white
Scene 12 - stare at black wall - holding spray paint ( spraying the black world to white) Items: - black paper - spray paint Scene 13 - done spray painting the world white
Final Video
Instructions: Assignment 02 requires you to propose how you will be creating your video explaining about the contextual understanding which you have discovered in assignment 01 research.
Plot Synopsis (revised)
In the year of 2099, the world has revolutionized into the division of humans using colours, red, blue and yellow. Families are catagorized as either red, blue or yellow. People are allergic to the opposite colours of their own therefore they wear gloves to prevent skin contact with other families. A girl, from the blue family, who is very obedient because the children are raised in a very strict and squared society, they are required to have the same mindset and same behaviour. Every night, she always had nightmares and in the morning, she chants a code without knowing the reason why. One fine day, She received a parcel wrote - To: 3 RY. The moment she opened the parcel, she saw a time travelling machine where she was so curious about. Without thinking of the consequences, she pressed the button and travelled back in time to year 2026. She saw the exact same scene as she dreamed about every night and met 2 girls who experienced the same as her. The scene shows colours separating to red, blue and yellow. By instinct, they decided to paint it white. After painting, time is up and it's time for them to return to 2099. History was undo and the present and future changed. She removed her gloves, hoping nothing happens and nothing happened. It turns out that they are not allergic to each other, but they are being divided and catagorized as different individuals. Their rebellious behaviour changed the world and now people with different colours live together. While the 3 girls no longer belong to any colour, they are white which means they are all colours. The code was indicating that 3 girls and she was to find them, RY meant the other 2 girls were from red and yellow.
Leanne –
Faye Tan (b. 10 December 1999, Malaysia)
is currently a student at Taylor’s University Lakeside Campus studying
Foundation in Design. She made a choice of taking up this module (Introduction
To Photography) as an elective to challenge herself and learn something that
will definitely benefit her further studies. She always has a fondness towards
photographs that holds a story or meaning behind it because photograph not only
captures the aesthetics but also tells a story that fail to put into words. Her
take on photography is to document individuals and the surroundings without
affecting the nature of it. She had also developed great passion for black and
white photography.
About The Photographs
“ISOLATION”.
Alone and set apart from the background.
I always have a strong desire and need to work alone. This has led my subject
matter of my series work to migrate towards individual souls shot against
minimal background, finding solace from isolated strangers. My aim for this
series work was to shoot strangers candid and without me (photographer) being
seen so that the nature of the scene remains unaffected. The process of
developing these pictures was basically setting up my camera at a chosen place
and stalk until a subject matter appears in the frame. What I do find
interesting from this social observation point of view is that it has
fundamentally changed the behavior of the individual, to well, make them seem
more individual. It makes me ponder on how every individual has a story to
tell. And as my own fate and destiny would have it, isolation has ironically
turned out to be the key to my own personal happiness, strength and creativity.
This body of my work directly mirrors my own personality. Miraculously, the end
result has become the sharing and expressing of my own self to the world through
my solitude, simplicity and joy.
As for the
technicalities, all the photographs were taken in between morning and the
afternoon. When harsh shadows is intended, I shoot more towards the afternoon
but when I want to achieve a subtle picture, I shoot earlier in the morning
where the sun is not so glaring yet. The venues I shoot at are usually very
minimal as I did not want excessive ornaments in the picture so that it does
not divert the viewer’s attention. My series includes individuals in different
motions, like walking, running and sitting. The range of aperture I shoot in
was between F11 to F13 because I wanted a wider depth of field. As for the ISO,
it ranges from 400 to 5000 which gives an abundance of light which I can easily
underexpose it. Which bring me to the shutter speed, varies from 1/160 to
1/1000. In conclusion, this series has not only taught me useful skills of a
photographer but also helped me see a different perspective of the world and
helped me learn the impact a camera can convey.
Today's lecture started off with Mr. Vinod checking our e-portfolios and giving us feedback on our theme-based pictures. After that, we went to the photo studio to learn some basics on how to the soft box lighting for portraits.
Held in Kuala Lumpur, Royal Selangor Design Week is Royal Selangor’s inaugural flagship design event. Leading designers and influential thought leaders will inspire a global audience with insights on burning trends that shape design across all disciplines. Royal Selangor Design Week increases appreciation of good design through thought-provoking forums. The event is also a valuable platform for like-minded peers to network, exchange ideas and explore design collaborations.
Debunking the Myth is a curated exhibition of selected figurative paintings from the renowed Aliya and Farouk Khan (AFK) collection. It is Core Design Gallery's first showcase of a private collection.
This exhibition seeks to establish the role of the figure in the development of contemporary Malaysian art, a topic which has not been fully explored until now. Through a curated exhibiton and accompanying critical essay, audiences are not only exposed to the developments in this genre through the different periods of contemporary art, from the 1980's to the 1990's and twenty first century, but also the various ways the figure has been represented
outside of the gallery
interior of the gallery
Artworks
Look at you by Ali Nurazmal
Oil on canvas
Imitation Master by Ali Nurazmal
Oil on canvas
Tribute to Latiff Mohidin by Jalaini Abu Hassan
Water-based paint on canvas
American dream by Tan Chin Kuan
Oil on canvas
The sour milk of milky way by Chan Kok Hooi
Oil on canvas
Lost in Mind by Eng Hwee Chu
Acrylic on canvas
Stand and choose yourself by Fadli Yusoff
Acrylic on canvas
Core design gallery
Address - 87, Jalan SS 15/2a, Ss 15, 47500 Subang Jaya, Selangor, Malaysia